{"product_id":"93-en-english-edition","title":"#93 EN (English edition)","description":"\u003cp\u003e\u003cstrong\u003eINDEX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eA Poem\u003c\/span\u003e\u003cbr\u003e1  \u0026gt;  \u003cem\u003eBefore check-out\u003c\/em\u003e – Raquel Nobre Guerra  \u003c\/p\u003e\n\u003cp\u003e10 \u0026gt; Editorial\u003cbr\u003e12 \u0026gt; Contributors\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDeep Learning \u003c\/span\u003e\u003cbr\u003e36  \u0026gt;  #31 – José Pardal Pina\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eConversation Piece – PLMJ \u003c\/span\u003e\u003cbr\u003e40 \u0026gt; #13 – João Silvério\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eProject Ana Silva (COVER 1)\u003c\/span\u003e\u003cbr\u003e42 \u0026gt; Profile by Carla Carbone\u003cbr\u003e45 \u0026gt; Art Project\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRegeneration as Care Dossier\u003c\/span\u003e\u003cbr\u003e54 \u0026gt; Life Happening – Elsa Garcia\u003cbr\u003e58 \u0026gt; Notes on Regeneration – Joana Pontes\u003cbr\u003e63 \u0026gt; \u003cem\u003eBayt\u003c\/em\u003e: Houses of the Future World – Maria Inês Mendes\u003cbr\u003e66 \u0026gt; Thinking like mycelium, or the case of the \u003cem\u003eGreen Art Lab Alliance\u003c\/em\u003e – João Pedro Soares\u003cbr\u003e69 \u0026gt; Cash and Other Gifts – Renny Pritikin\u003cbr\u003e72 \u0026gt; \u003cem\u003eOutro Fim do Mundo\u003c\/em\u003e at the Bienal Walk\u0026amp;Talk in Notes on Eco-Social Regeneration – Benedita Roby\u003cbr\u003e76 \u0026gt; In honour of ghosts. Reflections from MOMENTUM 13 – \u003cem\u003eBetween \/ Worlds: Resonant Ecologie\u003c\/em\u003es – Laila Algaves Nuñez\u003cbr\u003e80 \u0026gt; Revolutions of a Piece of Straw – regenerative artistic projects in Portugal (\u003cem\u003eVenha a Nós a Boa Morte - arte contemporânea\u003c\/em\u003e, \u003cem\u003ePela Terra - Encontros de Arte e Ecologia\u003c\/em\u003e, \u003cem\u003eGuardiões do Mira\u003c\/em\u003e, coletivo \u003cem\u003eGuarda Rios\u003c\/em\u003e) – Luísa Salvador      \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEssays\u003c\/span\u003e\u003cbr\u003e69 \u0026gt; Mothers Without Arms or Heads – Álvaro Domingues\u003cbr\u003e100 \u0026gt; Francisco Huichaqueo’s Cinema-Medicine as a Pedagogy of Mapuche Re-Existence – Mar Vallejo\u003cbr\u003e107 \u0026gt; Try Again, Fail Again, Fail Better: Or How I Learned to Care for Regeneration         while Listening to James Blake’s \u003cem\u003eLike the End\u003c\/em\u003e – Pedro Gadanho  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVisual Essays\u003c\/span\u003e\u003cbr\u003e113 \u0026gt; Luís Rocha\u003cbr\u003e118 \u0026gt; Cristina Lamas\u003cbr\u003e123 \u0026gt; Shipibo Conibo Center \u003cbr\u003e129 \u0026gt; \u003cem\u003eFaixa non Aedificandi\u003c\/em\u003e or the inexplicable Desire to live on the edge. – Frederico Vicente e Matilde Travassos\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eInterview (COVER 2)\u003c\/span\u003e\u003cbr\u003e136 \u0026gt; To Shape the Passage: interview with Denilson Baniwa and Ritó Natálio – Tomás Camillis\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eInterchanges Project – FLAD\u003c\/span\u003e\u003cbr\u003e146 \u0026gt; \u003cem\u003esobre brincadeiras de infância\u003c\/em\u003e – Letícia Costelha \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLandscapes Project\u003c\/span\u003e\u003cbr\u003e153 \u0026gt; #2 – Sara Kontar \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eUnfolding\u003c\/span\u003e\u003cbr\u003e162 \u0026gt; MAAT – Isabelle Ferreira\u003cbr\u003e168 \u0026gt; Serralves Foundation – Zanele Muholi\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eUmbigoLAB – Millennium bcp Foundation\u003c\/span\u003e\u003cbr\u003e175 \u0026gt; #24 – Atlanti_a\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eZoom\u003c\/span\u003e\u003cbr\u003e179 \u0026gt; \u003cem\u003eNormal\u003c\/em\u003e, by Gülbin Ünlü – Galeria Jhan und Jahn, Lisboa\u003cbr\u003e180 \u0026gt; \u003cem\u003eLucid Reverie - A Panorama of Portuguese Contemporary Art\u003c\/em\u003e – Galeria Municipal do Porto\u003cbr\u003e181 \u0026gt; \u003cem\u003eMetabolisms of Repair\u003c\/em\u003e, at the London Design Biennale 2025\u003cbr\u003e182 \u0026gt; \u003cem\u003eWhy Look at Animals? A Case for the Rights of Non-Human Lives\u003c\/em\u003e – National Museum of Contemporary Art in Athens\u003cbr\u003e183 \u0026gt; Encontro Semeadores, to Plant Interatlantic Futures – Multiple Locations \u003cbr\u003e184 \u0026gt; The Preferred Angle of a Fish (and Other Hypotheses for Architecting Interspecies Worlds) – Centro de Arquitetura do MAC\/CCB\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBack cover – Tamara Kalo -  \u003cem\u003ethe green screen line\u003c\/em\u003e (\u003cem\u003eperfil por\u003c\/em\u003e Josseline Black)\u003c\/strong\u003e\u003c\/p\u003e","brand":"Umbigo.store","offers":[{"title":"Default Title","offer_id":55942759809398,"sku":"93-en-2","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0913\/1094\/8726\/files\/capa93-en-2.jpg?v=1752749509","url":"https:\/\/checkout.umbigo.space\/products\/93-en-english-edition","provider":"Umbigo SHOP","version":"1.0","type":"link"}